I’ve been enjoying the author’s articles for Fantasy Faction for some
time now, but never thought to check her own website. Lo and behold,
here’s the first part of a traditional-style epic fantasy. I had a look
at the sample, and just kept on reading. To me, this kind of story is
like coming home after a horrendous long-haul flight, or falling into
your own bed after a week’s camping, it just wraps itself around you
like a warm duvet. There’s a strong warrior with a secret, an innocent
long-lost heiress to the throne, a prophecy, a rebellious princess, a
usurper with a conscience and lots of magic, and although this sounds
terribly clichéd, Davis gives it all a fresh feel and a bit of romantic
fairy dust.
Like most multi-book fantasies, the opening chapters
feature a deluge of names and places and incomprehensible references,
but things soon settle down and there are numerous excuses for
explanations along the way, so that details are revealed in small,
natural doses rather than in dry info-dumps. The world-building is
terrific: the various cultures, the different forms of magic, the
religious practitioners and the history of their interactions going back
a thousand years, at least, have all been carefully thought out,
together with the resultant complications and consequences. And it all
feels completely and utterly real. I love the various symbolic tattoos
of the tribal people, for instance, and there are tiny details, such as
the fact that Connor’s lover at the start of the book signals her rank
with rows of gold rings on her ears.
Sadly, the background is the
default off-the-shelf pseudo-medieval fantasy world, with all the usual
paraphernalia. I don't object to the castles, dukes, and monarchy
(there has to be some political system, and it's as good as any other),
and low-tech necessarily leads to swords and bows and daggers, but it's
just a pity to fall back on the tired themes of slavery, the neglected
poor, mistreated whores, riotous taverns and so forth. And ho, hum, the
heroine on the brink of being raped... I might have seen that scenario
once or twice before.
There are four main characters. Connor is
the rather roguish warrior, who makes a casual if profitable living as a
hired sword protecting travellers. Mairead is the rightful heiress to
the throne, an innocent who has led a sheltered life in a religious
order. Braedan is the usurper of the throne, who is being manipulated
but still hopes to be a benevolent king. Igraine is the feisty daughter
of a foreign king, who wants a proper job, not a husband and babies.
Then there are a few other characters who get their own point of view at
times when there's none of the main characters around. None of these
are outstandingly original types, but the author makes them very
believable and likeable (even Braedan, who ought to be the villain). And
there’s just that touch of romance fizzing below the surface right from
the start. I’m not mad keen on too much love interest in fantasy as a
rule, because the afflicted characters are sometimes inclined to
stupidity on account of it, but here there are only occasional outbreaks
of plot-driven stupidity, and the two pairings are actually great fun -
both the verbal sparring of one pair, and the sexual tension of the
other.
Some minor grumbles. Braedan has overturned a
thousand-year regency and declared himself king, yet he's swanning
around court as if he has every right to be there and no one seems to be
objecting very much. Why no major rebellions in the land? The names -
OK, they're vaguely Celtic, but it's kind of a mish-mash of influences
(Sean Mac Rian, Igraine, Bronwyn - sort of Irish and Welsh with a bit of
King Arthur thrown in). And the dialects - the 'dinna ye' stuff, is
kind of Scottish, but every time Igraine said 'lass' or 'lad', I heard
it in broad Yorkshire, so I half expected her to say 'ee bah gum,
trouble a't mill'. But maybe that's just me. As for the romance - there
are just a tad too many meaningful glances and tingling touches and
weak-kneed moments for my liking, and a lot of should-we, shouldn’t-we
angsting. And everyone's so beautiful. And terribly noble and restrained
and self-sacrificing and implausibly chaste. Not that I object to these
ideals in principle, you understand, but some of the characters are
quite astonishingly virtuous.
The good points. When people are
hurt, they bleed, they bruise, bones get broken, and it takes time to
heal. It isn’t always the bloke who saves the woman, sometimes she does
the saving (hurray!). In fact, this is one of those rare books where the
female characters really are strong, independent people, acting on
their own initiative, not just there as love interest and motivation for
the blokes. They can be just as handy with the weaponry or magic, too. I
liked, too, that minor characters along the way are generally helpful
and decent; so much fantasy these days seems to have a default position
that everyone is irredeemably evil, just because.
I rather liked
the various magic systems and the different races with their different
powers. It seems at first sight like a bit of a muddle, but it's been
very carefully thought through and everything seems to work nicely. Of
course, it suffers from the usual problem with magic - sometimes it's
just a get-out-of-jail-free card. A character gets into a mess and lo,
there's a magical thingummy to hand or a magic-imbued creature appears
from nowhere. And unlimited healing power is a bit of a fudge (although
to be fair, it doesn't always work, which is rather cool).
The
ending is a nice page-turning climax to events, with a bit of a battle,
some neat twists and turns, and some very satisfactory resolutions while
also setting things up beautifully for the next book. This was a
totally enjoyable reading experience, pure pleasure, and the few minor
niggles never affected that, although the romance level probably makes
it one for the ladies. Very much looking forward to the next episode.
Four stars.
[Edit: October 2012. All Amy's books appear to have vanished from Amazon and other likely places. She announced a break from blogging and writing online articles in July, and has withdrawn from Goodreads too. I can only hope that this is a temporary hiatus while she gets back to writing, and preferably the followup to 'Ravenmarked', which was one of my favourite books of 2012. I'd be upset to hear no more about these wonderful characters :-( ]
Pauline,
ReplyDeleteI've been trying to decide all day if it's bad form to thank someone for a very lovely, completely unexpected, totally unsolicited review, and I've decided--it's not. I hope you agree. :)
Thank you very much for the very nice review! And I'm really glad to hear you enjoyed the book!
Amy
Amy, thanks - and no, it's never bad form to say thank you! Plus it gives me the opportunity to thank you personally for writing such an enjoyable book. I liked it so much, I'm going to put it on my 'Recommended' page.
DeleteI don't routinely post my reviews on Amazon these days, but let me know if you'd like me to do that.
All the best,
Pauline
I will leave it entirely up to you whether to post it on Amazon. As for putting it on your "Recommended" page, thank you very much for that! It's truly appreciated!
DeleteAmy
I've really wanted to read this book since I heard about it several months ago. I only recently got a kindle but was disappointed when I could not find it on Amazon. where could I get a copy to read it on my kindle?
ReplyDeleteFor some reason, it's no longer available on Amazon or Smashwords. You can still buy it from Barnes & Noble, if you're in the US. You might have to convert it to read it on the Kindle, though. Sorry I can't be more help.
Delete