This is the eighth in the series of relaxed murder mysteries about
genial detective George Gently, written in the later fifties and early
sixties. I've enjoyed my previous forays into the series, as much for
the authentic slices of post-war British life as for the murders
themselves, which were always a bit ho-hum. But this is the first to
lose me completely. Hunter has always fancied himself as a chronicler of
regional accents and dialects, with (in my opinion) very limited
success, and the last few books I read he happily stayed away from such
dangerous distractions. But this time he plunges headfirst into a whole
world of cultural slang, the bizarrely unreadable language of 'hip
chicks', with their talk about squares and being cool. For example:
‘You
wouldn’t dig it,’ said Maureen. ‘If you’re a square you’re a square.
It’s nowhere jazz to a square. But Laurie was cool, he went after it.
Shooting the ton, that sort of action. But like I say you wouldn’t dig
it. So what’s the use me talking?’
Here’s another sample:
‘Throwing
a curve,’ Deeming said. ‘That’s not lying, it’s trying it on, hoping
it’s going to fit some place. You don’t like hipsters in Squaresville.
You like to put the heat on them. So you make a deal out of Johnny and
come pushing us around with it.’
‘And like we don’t stand for it,’ Bixley said, stepping up closer.
‘Cool it, Sid,’ Deeming said. ‘Pitching screws is for squares.’
‘He bugs me, this guy does,’ said Bixley. ‘Me, I could spread him on the wall.’
‘Dicky says cool it,’ Maureen said. ‘So cool it quick, you big ape.’
There are entire chapters of this sort of stuff and frankly, life's too short to wade through it. One star for a DNF.
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