Saturday, 17 May 2014

Paranormal Review: 'Life After Life' by Kate Atkinson

Life After Life

This is one of those books that I started with every expectation of hating it. It would be too pretentious, too clever for its own good, and too full of itself, I was sure of it. And the central conceit, of living the same life over and over, has been done a few times before. But then, quite unexpectedly, the quirky charm of the characters drew me in, and the excellent writing raised my hopes. I ended up enjoying it far more than anticipated, with a couple of reservations.

The story follows Ursula, the third child of Silvie and Hugh, who is born in the middle of a snowstorm in 1910. And promptly dies, the cord being tangled round her throat. And is born again. This time, she’s saved and lives a little longer. There are a great many deaths, in a great many different ways (and sometimes the same way, repeatedly), and some are pretty depressing, but knowing that Ursula will be reborn every time makes this less fraught than it might be.

As these various lives come and go and come again, Ursula starts to have some memory of her previous incarnations. These are not clear memories, but vague feelings of dread when in a place where something bad happened in a previous life, or a strong feeling that she should (or shouldn’t) do certain things. Her subconscious attempts to mitigate the effects or avoid a situation altogether are fascinating, and she gradually begins to adapt her life towards certain specific ends. It’s almost inevitable, given the timeframe here, that the whole killing-Hitler-to-prevent-the-war scenario should raise its head, but I won’t spoil the surprise by revealing what actually happens (well, it was a surprise to me, anyway).

The first reservation I had was that the heavy focus on the second world war, and the graphic descriptions of the lives that Ursula lived, made the mid-section of the book appallingly miserable. Nothing good seemed to happen to her at all. In all her many lives, there was no life where she simply met a nice man, married, settled down into baby-infested domesticity and had a pleasant, if dull, life. No, time after time, she lived miserably and died horribly, and I really resented that. Although possibly that was the entire point of her existence, I don’t know. Or some deep philosophical point: life’s a bitch and then you die and then (lucky you) you get to go through the whole awfulness of it all again.

But then the ending rolled around and this is where things went slightly off the rails, because (and I’m going to be honest here) I didn’t understand it at all. There were hints that some of the other characters also had some vague memories, but it wasn’t at all clear (to me). And the last chapter – what was that all about? It’s been driving me nuts. The blurb on the cover seems to suggest that, in true ‘Groundhog Day’ style, there will come a point when Ursula does everything right and the endless cycling will stop. Yet the book itself appears to contradict that. Or does it? Dunno. And what does it all mean? Dunno again. But the writing is very effective, the characters have a quirky, and very English, charm, and on balance I found it an enjoyable read. The deeply depressing wartime scenes and cryptic ending keep it to three stars.


  1. I just have to say.... 'baby-infested domesticity' is my new favorite way to talk about family life.