The novella prequel to this book, 'The Girl With No Name', was hugely
entertaining, a charming fairytale which was anything but traditional,
with a nice line in humour and, for its short length, a surprising
number of delightfully unexpected twists along the way. This is a full
length (albeit still fairly short) novel in similar style, which somehow
fell a bit flat for me. Maybe the charm of the novella just doesn't
scale up, or maybe my grumpy pre-Christmas mood is at fault, but somehow
the whimsy failed to enchant, the writing seemed less light and the
humour was sprinkled too thinly, like a pizza with too little cheese.
Partly
this is because of the rather old-fashioned writing style. Contractions
(like 'can't' and 'don't') are avoided, every action is described in
detail even when a character isn't doing anything interesting at all,
and although there are various point of view characters, the author
merrily tells us what everyone is thinking or feeling. There's nothing
at all wrong with this, and I daresay for a fairy tale it's appropriate,
but I much prefer a tighter writing style.
So here's the
premise. There's a princess and a couple of princes and a magician's
apprentice, there's an evil villain, there's a land where nobody has
magic and a land where almost everybody has it. And there are winged
unicorns, which (rather cutely) aren't necessarily able to fly properly,
sometimes they just bounce a little as they run, like a plane on a
particularly bumpy runway. There's a royal wedding and a kidnapping and
an array of monsters to be faced. All good fun, although sometimes
things got a little predictable. I liked that the princess was a smart
cookie and able to get herself out of awkward scrapes. I disliked that
too often things happened purely by chance, and she was saved by some
lucky event.
The best character by far is the magician's
apprentice, Phillip. Phillip? In a fairy tale? Erm, yes. The names in
this story aren't really the best. Some characters have sensible
fantasy-sounding names (Neithan, Kaleb, Sargon) and some have weird
names (Seventh Night) and some have terrible names (the poor girl with
no name from the prequel, who finally acquires a name half way through
this book, and it's surely the worst name ever; and no, you'll have to
read the book to find out what it is).
But then, just when I was
preparing my oh-dear summary in my head, things took off, became
charmingly unpredictable and ended with one of those wonderful moments
that brighter people than I probably saw coming a mile away, but for me
it came out of nowhere and just blew me away. So three stars for the
slightly pedestrian air of the first three quarters, five stars for the
brilliant ending, so an average of four stars.
Showing posts with label iscah. Show all posts
Showing posts with label iscah. Show all posts
Friday, 13 December 2013
Thursday, 6 June 2013
Fantasy Review: 'The Girl With No Name' by Iscah
This short book is a delight from start to finish. It’s written in
traditional fairytale style, beginning with ‘Once upon a time...’, with a
charming simplicity which hides a great deal under the surface. The
heroine of the story, who never has a name throughout the book, is a
shapeshifter and magic-user, in a land which doesn’t understand or
respect magic. Orphaned and raised by a kindly old man, she is forced to
leave her home village when he dies, and sets off to find her place in
the world. Her travels, the people she meets and the answers she finds
to her questions about her missing father and her own magic, form the
body of the story.
This is not your conventional fairytale. At every turn, the author neatly sidesteps the traps and tropes of the genre, so there are plenty of wonderful surprises in store, and a nice line in humour too. Every town or village or country the girl visits is a little different from the others, with its own customs and peculiarities, and exploring these differences is one of the highlights of the book, for me. There’s a prince, of course, and a witch, but they’re not at all as you’d expect. The prince is possibly my favourite character in the book, but even though it seems things are set fair for a little romance, things take a different turn. It’s so much fun when a book refuses to toe the boringly predictable line this way. I do like to have my expectations subverted.
If there's a grumble at all, it's that the girl seems a little mature for her age, given her rather sheltered upbringing. She accepts whatever comes her way with equanimity, judges people quite well and isn't really bothered at having to travel around on her own. But then I suppose that being able to turn into a bear or a bird or something small enough to hide behind a bush is rather a good self-defence mechanism, plenty good enough to deal with most of the little difficulties that a not entirely law-abiding country can throw at her. I liked the way she grows over the course of the book, finding out what works and what doesn't and using her talents not for power or glory, but as a low-key way to survive so that she can do what she really wants to do (mostly haunt the libraries and bookshops, which I can relate to).
This is the first of four novellas relating the beginnings of four characters to feature in a full-length fantasy novel later. [1] The book is intended for any age reader from 9 upwards, and it would work brilliantly with an adult reading it to a child, whether to draw out the subtleties and provoke discussion, or just to enjoy the subtext. It would be a great communal read for schools as well. Whether it works so well as an adult-only read is less certain. I thoroughly enjoyed it, as a refreshing change of pace from grittier adult fantasy, but despite the subtleties it felt very child-oriented at times. Not childish, but perhaps lacking some of the multi-layering of the best adult fantasy. This is not a criticism, just a comment and a matter of personal preference. An entertaining read, with deceptive simplicity and an unexpected degree of humour. Four stars.
[1] At the time of writing (June 2013) this is the only one of the four published, and the second novella, ‘Horse Feathers’, is currently being posted a chapter at a time on the website, which is at Amoeba Ink.
This is not your conventional fairytale. At every turn, the author neatly sidesteps the traps and tropes of the genre, so there are plenty of wonderful surprises in store, and a nice line in humour too. Every town or village or country the girl visits is a little different from the others, with its own customs and peculiarities, and exploring these differences is one of the highlights of the book, for me. There’s a prince, of course, and a witch, but they’re not at all as you’d expect. The prince is possibly my favourite character in the book, but even though it seems things are set fair for a little romance, things take a different turn. It’s so much fun when a book refuses to toe the boringly predictable line this way. I do like to have my expectations subverted.
If there's a grumble at all, it's that the girl seems a little mature for her age, given her rather sheltered upbringing. She accepts whatever comes her way with equanimity, judges people quite well and isn't really bothered at having to travel around on her own. But then I suppose that being able to turn into a bear or a bird or something small enough to hide behind a bush is rather a good self-defence mechanism, plenty good enough to deal with most of the little difficulties that a not entirely law-abiding country can throw at her. I liked the way she grows over the course of the book, finding out what works and what doesn't and using her talents not for power or glory, but as a low-key way to survive so that she can do what she really wants to do (mostly haunt the libraries and bookshops, which I can relate to).
This is the first of four novellas relating the beginnings of four characters to feature in a full-length fantasy novel later. [1] The book is intended for any age reader from 9 upwards, and it would work brilliantly with an adult reading it to a child, whether to draw out the subtleties and provoke discussion, or just to enjoy the subtext. It would be a great communal read for schools as well. Whether it works so well as an adult-only read is less certain. I thoroughly enjoyed it, as a refreshing change of pace from grittier adult fantasy, but despite the subtleties it felt very child-oriented at times. Not childish, but perhaps lacking some of the multi-layering of the best adult fantasy. This is not a criticism, just a comment and a matter of personal preference. An entertaining read, with deceptive simplicity and an unexpected degree of humour. Four stars.
[1] At the time of writing (June 2013) this is the only one of the four published, and the second novella, ‘Horse Feathers’, is currently being posted a chapter at a time on the website, which is at Amoeba Ink.
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