Sometimes, when I feel as if I’m drowning in a sea of
haven’t-I-read-this-before fantasy, the only antidote is some Andrea K
Höst. Her work is original, intelligent and quirky, and reassures me
that there are some authors out there who aren’t simply recycling the
tired old tropes.
The premise here is that the country of Darest,
ruled by the Rathen family, has been without a monarch for two hundred
years. Being hedged about by unbreakable magic, however, which manifests
as a rose bush, it continues to rumble along as if one will turn up any
day, creating champions (guardians of the monarch) and protecting the
royal palace. Until one day the rose bush produces a flower - an heir
has appeared once more. The plot is largely about how the champion finds
the heir and the ramifications of that, together with an intriguing
mystery - why did all the heirs disappear anyway, and why has Darest
been in decline for the past two hundred years?
The magic of the
rose is one of the most intriguing aspects of the story. There isn’t
anything terribly outlandish about the type of magic the author’s world
can produce - there are spells created through spoken words or casting
with the hands or carved runes, basically - but the way it is bound up
through the rose, the champion, the Rathen heirs and the royal palace is
fascinating. It’s also very creepy in the way it is actually a
more-or-less physical part of the champion, giving her powers while also
controlling her mind and body in very scary ways.
Soren, the
champion, is an all-too-rare type of heroine - neither a warrior babe
nor a princess nor a mage, just an ordinary woman chosen for no obvious
reason for a job she feels spectacularly unsuited for, but which she
nevertheless does to the very best of her ability. She doesn’t make
stupid mistakes, she doesn’t turn into Wonder Woman, she doesn’t turn to
jelly at the thought of a man, she’s just a normal woman using her
common sense and intelligence. The romantic relationship resolves itself
rather fast for my taste - I would have thought it would have taken
longer to get over the traumatic early events - but it wasn’t a huge
problem.
The two male main characters, Strake and Aristide, are
much less ordinary, but then both have been part of the royal court from
birth. They are both complicated and charismatic characters, and both
have to suffer emotional shocks which they cope with in very different
ways, but the way they inch towards a pragmatic working arrangement is
very believable. The minor characters are well sketched out and
perfectly believable, although I sometimes got confused about who was
who. The Fae were particularly convincing, and the author beautifully
captures the ‘other’-ness of them.
The created world is not
especially unique, but that’s not a problem as most of the action takes
place in and around the royal palace. Superfically the social structure
is conventional: a ruling family, several other noble families, the
usual array of soldiers, farmers, millers, innkeepers and so on. It’s
nice to see that women are just as likely to be guards or monarchs or
champions as men. The unique feature here is the prevalence of same sex
marriage and also tribond marriages, which is thrown in as part of the
background without much discussion or explanation. Much as I applaud
this approach, I would have liked to know more about how it works.
The
early part of the book feels both rushed and rather slow, if that isn’t
too contradictory a description. It seems rushed because there is no
background at all to Soren herself and not much about her role as
champion before she’s tearing off to find the heir. And then the actual
search for the heir feels a bit slow. But from then onwards, the pace
picks up and becomes breathlessly fast, in that wonderful page-turningly
riveting way. A lot of chores were neglected so that I could finish
this as-fast-as-possible. The external threats - a magical killer on the
loose and a possible assassin in the palace - plus the internal threat
of the enchanted rose itself, which seems to have its own agenda,
together with the political machinations of neighbouring countries and
the tricky relationships between the champion and the monarch she has to
protect, all of these combine to make a compelling story.
My
only criticisms are the slightly bumpy start and a few confusing moments
where it wasn’t quite clear to me what was happening. And I would have
liked a map, too, but it wasn’t a big deal. [*] Overall, a refreshingly
different story about believable, complicated people who behave in
realistic ways, and revolving around a cleverly-devised enchantment
which is almost a character in its own right. A good four stars.
[*] There's one on the author's website, here. Also some background to the story.
Have you heard that thud? This book landed on my TBR heap. Thanks!
ReplyDeleteYou're welcome. I recommend the Medair duology, too, if you haven't read that yet. I love an author who creates female characters who are just - well, normal people. So many just can't manage it, somehow.
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